That lets you see his mechanics! Wait a minute till I think this.

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Of it mounting to hysterical pitch. It may be because the horror writer always brings bad news: you're going to die he says; he's telling you to never mind Oral Roberts and his 'something good is going to happen to you' because something bad is also going to happen to you and it may be cancer and it may be a stroke and it may be a car accident but it's going to happen. And he takes your hand and he enfolds it in his own and he takes you into the room and he puts your hands on the shape under the sheet. . . and tells you to touch it here. . . here . . . and here. . . Of course the subjects of death and fear are not the horror writer's exclusive province. Plenty of so-called 'mainstream' writers have dealt with these themes and in a variety of different ways - from Fyodor Dostoyevsky's Crime and Punishment to Edward Albee's Who's Afraid of Virginia Woolf? to Ross MacDonald's Lew Archer stories. Fear has always been big. Death has always been big. They are two.
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